papier und gelb at archive kabinett, rule c a project by atelier impopulaire.
independent of time the story began to unfold. the private and public mythologies developed and gained credibility as a response to their catalyst character. the seemingly metaphysical consumption could no longer be judged by formal or materialistic reasons. not the producer but the recipient was the basis for mystifying subsequent aesthetic work. by obscuring historical facticity he was able to understand the contemporary sciences, by ignoring the bourgeois audience that inserted itself the programs and showed no intention of questioning them. in his division he would create a micro utopia, a therapeutic ideal with an attempt to participate. »a modelled, virtual better.« a social contract between the inter-subjective and the transformable potential, everything the moment of utopian possibility had to offer. the non-existent would be in his very hands, the unnoticeable obvious, utopia itself!
as he looked out, divorced from the real interests of individual and community, looked at their illusory lives, he immediately forced himself to his passionately multiplied productive forces. the one exclusive sphere of activity, the first of all realities as a mutual independence of all individuals and their intercourse with one another. because as long as man remains, mans own need will be an alien power which enslaves him. for there was so little that could change mans imagination. but finally the vehicles meant to change to a new course were ready, and they would offer room to everyone.
pages of devotion, mentally challenging, but unimaginably bright. the fleeting world literally uncovered itself in front of his tired eyes. nowhere ever so close to the importance of the idea. the relevance of the moments captured onto the blank pages. the fleeting visions of the powerful mind, which can never fully reveal itself. hundreds and thousands of absorbed worlds laid out before him like a field that in itself was timeless and time itself, a field that was nowhere and anywhere. an entire universe before the forces of natural fading could grasp the humbling soul into nothingness. the tension inside the small room was rising, he had it all here, could be who ever he pleased to be, read other peoples minds, understand their very notion of being, could give sense to their existence, lead them and be led. in this moment he felt the desire to live among all utopian aspirations and to prove that their endlessly diverting alternatives would outlive all form!
a.p.e. art projects era
feminist land art retreat
studio for propositional cinema
look for us in the inkwells we will always be there
david kühne: ornamental letters
sarah kürten: series of 4 artists books
studio for propositional cinema: look for us in the inkwells we will always be there; david kühne: ornamental letters; sarah kürten: artists books
studio for propositional cinema: look for us in the inkwells we will always be there